Watson in the Sherlock holmes mysteries. Watson acts as a foil to Sherlock holmes, as he is not as smart but he does help Sherlock to empathize with others and death see the crimes in a different light. 4, create an engaging plot. A good detective story will have a well-paced plot. A traditional plot outline includes six parts: the set up, the inciting incident, the rising action, the climax, the falling action, and the resolution. An example plot may be: The set up introduces the setting, the main character, and the conflict. For example, start with a detective named Jamie brains and a murder set in Brains hometown.
Make the detective in your story brilliant, but also human, with flaws. For example, you may have a detective that is an older woman who appears frail and bumbling, but is in fact a genius at solving crimes. Or you may have a detective who is blind but is able to rely on their other senses to observe their surroundings. 3, give the detective a companion or partner. Come up with a secondary character who works with the detective. The companion or partner can give the reader someone to identify with, as the reader may not be able to relate to a genius detective. The companion may not be as smart as the detective, but they can offer perspective on the crime. They can also assist the detective as needed. 3, for example, a famous companion would.
How to, write
You can also use a crime that happened to a friend or family member as inspiration for a fictional crime. For example, you may focus on a crime like the murder of a child or the kidnapping of the most popular man in the neighborhood. 2, come up with a unique detective. The detective in your story is at the center of the mystery so they should be memorable, unique, and smart. They should have character traits like a keen sense of observation and an ability to get information from others.
There is much warning of the hero by shouting "Hes behind you" and so. Plus m usic and spectacle. The whole thing is supported by song and dressed to look spectacular. There are other traditions too but none that are central to making it work. The most noticeable of these other traditions is that the hero is often played by a woman in tights.
I still cannot find a good dramatic justification for this. Maybe young kids are less frightened by a woman. Certainly men like seeing womens legs and this must be a good commercial justification. Maybe there is also an echo of lesbian dalliance - such a staple of porn movies. Another tradition is that the witches and the fairies traditionally talk in verse (usually rhyming pentameters). This can work well as a differentiating device. Shakespeare always used it to divorce the high characters from the low also it is fun to write and, if reasonably written, fun to act. If you want to know more, follow the external links.
How to write brilliant novel 2 kak napisat genialnyy roman
In more prosaic terms, English resume pantomime is a christmas entertainment based on a fairy tale. It is supposedly for children and is usually an English childs first experience of live theatre. English pantomime is: a fairy Story plus. Plus favourite t he dame character. This character acts as a kind of earthy chorus much like the nurse in Romeo and Juliet, except of course that everything is much broader and we know that there will be a happy ending. The dame is absurdly overdressed and, to add a further sexual frisson, is traditionally played by a man in drag. Plus a broad style that emphasises audience participation.
Pantomime is the last living folk art in England. . It offers wonderful possibilities though many are widely ignored. . It would be sad if English Pantomime dies. . But if people fail to see beyond the tired old jokes, and the vanities brought to it by self indulgent writers and actors, pantomime will surely die - and deservedly. . I hope this site helps you join me in the crusade to keep pantomime as a brilliant, vibrant, poetic work of art. . And one that can be seen all over the uk every year. The English Pantomime Tradition, pantomime has a comic tradition that lets you say anything combined with a magical tradition that lets the story adulthood fly beyond the everyday.
or the local theatre (or the television!) did last year that you didn't like. . A note on the, english pantomime, this essay teaches the best way to write a pantomime script (an. Pantomime is a form that is serious, comic, absurd, poetic and surreal all at the same time. . It talks about the English pantomime, which is very different from European and American ideas of pantomime. . If you do not know the tradition, follow the Tradition link at the end of the next section where i summarize the tradition very briefly. . This link leads to other sites that cover the subject in greater depth. The site is written by nick mellersh who has written twenty or so pantomimes to largely rapturous success (though I say it myself!). . I have tried always to treat the pantomime as an important art form and the site aims to encourage this. .
supernatural characters let you explore deeper than the everyday. a sympathetic audience who know the traditions. . This gets you half way there before you start. Think what Shakespeare and mozart have done with this and try to do the same! William Shakespeare and Wolfgang Amadeus mozart are the natural heroes of paper pantomime writers. . He was willing and able to introduce comedy into the midst of high seriousness (the porter in Mac Beth, the skull in Hamlet and so on). Because the nurse in Romeo and Juliet is the prototypical pantomime dame (and maybe) 3 because "As you like it" is so full of cross dressing. . mozart because "The magic Flute" is a kind of pantomime written by a genius and the other operas mix the comic and the poignant and even the tragic with such brilliance and panache. . so think Shakespeare and mozart as you write, and you won't aim low Who knows, you could write a masterpiece. .
How to write a, brilliant, pantomime
The two golden rules of writing an English Pantomime. Aim for a masterpiece. (you will hit below your aim, so dont aim low!). Have a strong plot - without it there is nothing for the fancies and furbelows of the pantomime to hang. The pantomime tradition is a wonderful gift that it has: : A strong plot with mythic overtones. (Fairy stories have deep psychological roots - think jung and Bettelheim - see links on the "Story" page) - and have been honed by telling thousands of times. The dame and other comic characters let you comment on the myth and magic good from an earthy point of view. Music is there to carry the emotion and to connect with the audience.